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Putting together the showbook and calling a show - just the showcalling bit
The Showcaller Role
What makes a good showcaller? (4:51)
Good Showcaller Key Points PDF
The Producer and the Showcaller
The Role of The Producer (3:34)
The Producer Key Points PDF
Client / Producer / Showcaller Relationship (2:29)
Client / Producer / Showcaller Relationship Key Points PDF
Materials to provide to a Showcaller
Running Orders (5:00)
Agendas & Speaker Information (1:11)
Scripts (6:22)
Badly laid out script example for a showcaller's purpose
Better laid out version of script for showcaller purpose
Rehearsal Schedules (3:12)
Putting Together A Showbook
What do you use to build your showbook? (5:20)
Putting Together the Showbook Key Points
Keeping notes during rehearsals (2:55)
Keeping Notes in Rehearsals Key Points PDF
Other things that might be helpful on rehearsal day (3:34)
Working with the showbook during rehearsals (3:28)
How to give cues to the showcrew (6:51)
How to give cues to the Showcrew Key Points PDF (6:51)
Tidying up your Showbook (5:19)
Terminology (4:33)
Terminology PDF
Calling the Show once the Presentation is Live (3:44)
When things go wrong (3:26)
Timing, Stopwatches & Speaker Clocks
Timings (6:15)
Showcalling for Practice
Script with voiceover and cues (6:35)
Running Order
Plain Word version of script
Script with voiceover no spoken cues (6:35)
Awards
Calling an Awards Show (7:58)
Breakouts
Being a Breakout Showcaller / Room Manager (2:47)
Room Management Notes
Common Issues Onsite for a Showcrew
Food! (2:31)
Working Hours: How Long is a Day? (3:00)
Links & Archive
Live Training
Onsite Photos
Now you've reached the end..
Closing Video (2:19)
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Running Orders
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