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Corporate Showcalling for Theatre Stage Management.
The Showcaller Role
What makes a good showcaller? (4:51)
Good Showcaller Key Points PDF
The Main Differences (6:18)
Virtual & Hybrid
Virtual Showcalling in this course (1:26)
Hybrid Showcalling (3:15)
The Show Crew
Who are the Show Crew and where are they located? (5:27)
Showcrew Location PDF (5:28)
Working with Lighting Department (4:29)
Lighting Key Points PDF
Working with Video (4:10)
Video Key Points PDF
Working with Prompting / Autocue (5:39)
Autocue/Prompt Key Points PDF (5:39)
Working with the Screen Switch operator (1:11)
Switch Key Points PDF
Working with the Vision Mixer (2:21)
Vision Mixer Key Points PDF
Production Management (1:34)
Switching in Hybrid (2:40)
Vision Mixer in Hybrid (2:48)
Sound
Working with Sound (6:46)
Sound Key Points PDF
Comms (8:58)
Comms Key Points PDF
Wireless or Radio Comms (1:48)
Sound in Hybrid (1:37)
Graphics
Working with Graphics (2:55)
Working with Graphics Key Points PDF
Collating content with graphics (4:23)
Putting together the show with Graphics Key Points PDF
Presenters Running Slides (6:55)
Presenters Running Slides Key Points
Graphics in Hybrid Events (1:27)
Working with Screen Switching and Presets
What is a Media Server (4:16)
Media Servers Key Points PDF
What Are Presets & PIPS? (9:12)
Presets & PIPS Key Points
Presets & PIPS Visuals
Media Server Visuals
Media Server on site pictures courtesy of Creative Technology
The Producer and the Showcaller
The Role of The Producer (3:34)
The Producer Key Points PDF
Client / Producer / Showcaller Relationship (4:12)
Client / Producer / Showcaller Relationship Key Points PDF
Producer and Showcaller in Hybrid (1:15)
Supporting The Less Experienced Producer (3:42)
Supporting the less experienced Producer Key Points PDF (3:42)
Politics and how to negotiate them (3:12)
Materials to provide to a Showcaller
Introduction to materials to provide a Showcaller section (1:03)
Running Orders (7:14)
Running Orders Notes
Agendas & Speaker Information (0:53)
Agendas Notes
Rehearsal Schedules (3:12)
Scripts (6:22)
Scripts key points for people putting them together
Badly laid out script example for a showcaller's purpose
Better laid out version of script for showcaller purpose
Putting Together A Showbook
Introduction to section on putting together a showbook (0:55)
Putting together the showbook: Preparation Day (4:01)
Putting Together the Showbook Key Points
Working with the showbook during rehearsals (5:49)
Keeping Notes in Rehearsals Key Points PDF
Other things that might be helpful on rehearsal day (4:12)
How to give cues to the Showcrew Key Points PDF (6:51)
After Rehearsals. Tidying up the Showbook (4:53)
Terminology (2:24)
Terminology notes
Calling the Show once the Presentation is Live (3:16)
When things go wrong (3:04)
Timing, Stopwatches & Speaker Clocks
Timings (6:15)
Showcalling for Practice
Script with voiceover and cues (6:35)
Running Order
Plain Word version of script
Script with voiceover no cues (6:35)
Credits
Awards
Calling an Awards Show (7:53)
Breakouts
Being a Breakout Showcaller / Room Manager (2:58)
Room Manager Notes
Common Issues Onsite for a Showcrew
Food! (2:31)
Working Hours: How Long is a Day? (3:00)
Virtual Showcalling
Reflections on Virtual Showcalling (3:41)
Links & Archive
Live Training
Onsite Photos
Follow up Information that might be helpful
Things that may drive you nuts. (5:49)
The Upsides and the Downsides (7:03)
Now that you've reached the end..
Closing Video (1:47)
Teach online with
The Producer Key Points PDF
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